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Multi-effects processor
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- Contents
- Table of Contents
- Troubleshooting
- Bookmarks
Table of Contents
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Table of Contents
- Welcome
- Attention
- Overview
- Panel Introduction
- Getting Started
- Screen Introduction
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Main Display Screen
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Tuner
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Looper
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Drum
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MIDI Device Control Functions (MIDI)
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EXP Pedal
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- Patch Setting
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Edit Menu
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Editing a Module
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Managing the Signal Chain
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Patch Settings
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Save Menu
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- Global Settings
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Input/Output
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USB Audio
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Footswitch
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EXP Calibrate
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EXP 2/Footswitch
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MIDI
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Display
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Auto CAB Match
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Global
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About
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Factory Reset
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- Compatible Software
- Application Scenarios
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With Full-Range Speaker Devices
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With Guitar Amps (INPUT Jack)
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With Guitar Amps
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Position the
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With Guitar Amps
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The 4 Cable Method)
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With Other Pedals
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Audio Studio (for Livestreaming)
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- Effect List
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Pre
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Wah
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Dst
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Amp
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Cab
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Mod
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Dly
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Rvb
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Vol
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- Drum Rhythm List
- MIDI Control Information List
- Troubleshooting
- Technical Specifications
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User Manual
For Firmware V1.5.0
※ In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content, accessories, size, parameters and display
screen), are subject to change without prior notice. Please check with local supplier for exact o ers. Specifications and features (including but not limited to appearances, colors and size) may vary by model owing to
environmental factors, and all images are illustrative.
Table ofContents
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Table of Contents
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Summary of Contents for Valeton GP-200LT
- Page 1 User Manual For Firmware V1.5.0 ※ In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content, accessories, size, parameters and display screen), are subject to change without prior notice. Please check with local supplier for exact o ers. Specifications and features (including but not limited to appearances, colors and size) may vary by model owing to environmental factors, and all images are illustrative.
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Page 2: Table Of Contents
Contents Welcome·············································1 With guitar amps (using FX Loop to pre- Attention············································1 position the GP-200LT)······························20 Overview············································2 With guitar amps (using FX Loop to post- Panel Introduction·······························3 position the GP-200LT)·····························20 Getting Started···································4 With guitar amps (using FX Loop to run Screen Introduction·····························5 the 4 cable method)····································21... -
Page 3: Welcome
Welcome Ÿ Thank you for purchasing a VALETON product. Ÿ We know it might be tedious but please read this manual carefully to get the most out of your GP-200LT. Ÿ Please keep this manual for future reference. Attention Handling Do not get the unit wet. -
Page 4: Overview
I/O options, large color-display screen and user-friendly buttons and knobs, as well as 11 freely movable e ect modules and more than 240 patches from world-renowned classic speakers, IRs and e ect units, GP-200LT will fit into any scenario to become your go-to gear. -
Page 5: Panel Introduction
Machine Edit menu, where you can edit the drum parameters (style, BPM, volume). 2. MASTER Knob Turn to control GP-200LT's 1/4″ jacks output volume. 9. SAVE Button Whenever a patch is modified, the main display will 3. PHONES Knob show a symbol to indicate that the parameter has Turn to control headphones output volume. -
Page 6: Getting Started
Power Requirements: DC 9V,1000mA, 1/8"TRS output for connecting headphones. Getting Started 1. Connect your device. Plug your guitar into the GP-200LT's INPUT jack, and run a cable from the BALANCED OUTPUT L (MONO) to your amp. Please remember: Ÿ For your hearing health, and device safety, the volume of GP-200LT and amp is suggested to keep down before power on. -
Page 7: Screen Introduction
Getting Started Select a patch GP-200LT includes 256 patches, with the first 100 (01-A~25-D) containing default factory parameters. When performing a factory reset, you can separately reset these 100 patches to the default values. Tap footswitch , to choose a patch you like. Tap footswitches together to enter BANK selection menu. -
Page 8: Looper
Ÿ Auto Rec: Turn on/o the auto-recording, when activating auto-recording, the GP-200LT will not immediately start to record until certain level of input signal is perceived. -
Page 9: Midi Device Control Functions (Midi)
CMD 1/2/3: range from CC0~CC127~PC. (CC: Control Change)/(PC: Program Change) DATA 1/2/3: adjust the parameter of CC/PC in CMD 1/2/3 GP-200LT supports two types of MIDI messages (CC/PC), the parameters in DATA 1/2/3 will vary based on the type of MIDI function you intend to use. -
Page 10: Patch Setting
Edit Menu Showing the current patch number and name Click PARA to enter Edit Menu. The complete signal chain simulation of the GP-200LT. You can Patch VOL： 50 EXP 1: A directly view all 11 modules’ sequence and on/o status based... -
Page 11: Patch Settings
Ÿ Keep in mind that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-200LT o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings. -
Page 12: Save Menu
Remember to save after finishing the editing. Global Settings Global Settings, unlike previous ones, will a ect the whole status of the GP-200LT and not change when the patch has changed. All the settings will immediately function when editing is finished. There are input/output, USB Audio, footswitch/EXP pedal, language and more in this menu, as well as factory reset. -
Page 13: Input/Output
Ÿ AUX To USB: When activating, audios from AUX IN can be recorded in USB devices. This means, when using GP- 200LT for livestreaming, you can mix the audios from AUX IN with e ects from the GP-200LT, and send out to the streaming device through USB output. -
Page 14: Footswitch
3. Set Track A output to Output 3-4, set Track B input to Input 3-4, keep Track B's monitoring o 4. Play the dry track in DAW, and now you can hear the e ect sound of the processed dry track file in GP-200LT 5. -
Page 15: Exp Calibrate
Global Settings Footswitch functions include: Function Description Function Description Bank Enter bank selecting menu Drum Patch+ Load the latter adjacent drum patch Bank+ Load the latter adjacent bank Drum Patch- Load the former adjacent drum patch Bank- Load the former adjacent bank EXP 1 A/B Switch between A/B of EXP 1 Patch+... -
Page 16: Exp 2/Footswitch
Only receiving from the external clock Tempo will not function Receiving clock messages from the internal clock, MIDI IN and USB. If using Mixed di erent clock sources simultaneously, then the last message type the GP-200LT (Default) receives will cover previous ones ON/OFF When turned ON, this unit will negate all input signals;... -
Page 17: Display
Global Settings Display This menu is to adjust parameters and settings of the displayed factors. Ÿ Brightness: For adjusting screen brightness GLOBALSETTINGS Ÿ Display Time: The time GP-200LT needs to enter EXP 2/ Footswitch sleep mode. Display Auto CAB Match Ÿ... -
Page 18: Global
Global Settings Global EQ This menu is to control the global equalizer of the GP-200LT in order to change the overall tone feel. This is the displayed menu: Global EQ GLOBALSETTINGS EXP 2/ Footswitch Display Auto CAB Match Global EQ... -
Page 19: About
Factory Reset This menu is to perform a factory reset. Remember, resetting the GP-200LT will delete all of your saved changes and personal settings. Once it is executed, it cannot be undone. Please back up your settings before performing a factory reset. -
Page 20: Compatible Software
Compatible software When you connect your GP-200LT with the PC/Mac, you can use the free GP-200LT software to manage multiple functions, including adjusting tones, import/export patches, firmware upgrade, loading 3rd party IRs and more. The GP-200LT software supports both Windows and MacOS platforms. -
Page 21: Application Scenarios
Full-range devices include audio interface, studio monitor, PA system, headphones etc. In this scenario, the output jack or headphone jack of the GP-200LT can be connected according to the need of subsequent devices. Use 1/4" TRS cable for balanced signal output，and the balanced output is more suitable for long-distance signal transmission. -
Page 22: With Guitar Amps
In addition, you need to pay attention to the GP-200LT’s patch volume monitor, if you hear the “clip” sound, please reduce the input volume in the "Global - Input/Output”, or adjust the input to Line to try get the more ideal tone. -
Page 23: With Guitar Amps
With guitar amps (using FX Loop to run the 4 cable method) This method will split the GP-200LT's e ect chain into two parts (as shown below). It allows you to place the GP-200LT’s PRE and DST modules before the preamp, while placing the EQ, MOD, DLY and RVB modules between the preamp and the power amp. -
Page 24: Audio Studio (For Livestreaming)
MacOS, iOS, Android and Windows system after Windows 10, it can be easily plugged in and played. The input signal (INPUT) and the auxiliary input signal (AUX IN)* of the GP-200LT can be used by all the devices connected to the USB. -
Page 25: Effect List
E ect List FX Title Type Description Parameter Description Based on the legendary Ross™ Compressor. This is the originator of the guitar compression e ect. It brings the Sustain: Controls the compression amount COMP Comp guitar compression e ect to the public and becomes an Volume: Controls the effect output important element in the future. - Page 26 E ect List FX Title Type Description Parameter Description Based famous on Fortin®Grind*. It gives you up to +20dB of boost that will tighten up and add aggression to any tube or solid- 14 Boost Boost state amplifier. The GRIND’s surprising low Gain: Controls the gain amount noise floor and high input Z lets every nuance of instrument character come...
- Page 27 E ect List FX Title Type Description Parameter Description Step 1-4: Controls the filter center frequency of each step Step A 4-step auto filter machine for creating Filter Rate: Controls the sequencing speed Filter synth-like sounds Sync: Switches Tap Tempo sync on/off Low Oct: Controls the volume of lower octave (1 oct down) OCTA Pitch...
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Page 28: Wah
E ect List FX Title Type Description Parameter Description This is a freeze e ect that can freeze the sound at the Volume: Controls the e ect output volume moment of activation and keep it playing when the e ect is Attack: Controls how fast the e ect volume fades in activated. - Page 29 E ect List FX Title Type Description Parameter Description The Ibanez® Tube Screamer® is synonymous with the transparent overdrive tone used by many of today's top guitarists. The TS9 pedal Gain: Controls the overdrive amount OD 9 boosts the guitar signal enough to drive the preamp stage of your Tone: Controls the e ect tone amp, giving a very natural-sounding and pure overdrive and crisp Volume: Controls the e ect output...
- Page 30 E ect List FX Title Type Description Parameter Description The Marshall® BluesBreaker* is a low-gain pedal with exceptional Gain: Controls the distortion amount Blues transparent tone. Moderate overdrive and subtle boost are the strong Tone: Controls the e ect tone Master points, though it can get as well emphatic with a cranked up tube amp.
- Page 31 E ect List FX Title Type Description Parameter Description For fans of the aggressive germanium fuzz tones that could be wrought from those early units, there’s nothing quite like the Sola Sound® Tone Bender*. The Tone Bender’s circuit became Fuzz: Controls the gain amount Sora Fuzz Fuzz massively popular, and over the following years its design...
- Page 32 E ect List FX Title Type Description Parameter Description Gain: Controls the gain amount This model is based on a famous dirt box recreating, Volume: Controls the e ect output Flagman perfect reproduction of modern British high-gain timbre, Bass/Treble: 2-band EQ that controls the Distortion Dist rich tunability, intuitive operation to provide the perfect...
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Page 33: Amp
E ect List FX Title Type Description Parameter Description Based famous on Xotic® RC Booster* provides you with super- transparent 20dB boost without altering your carefully crafted tone. And it offers an added gain channel for extra fatness. Take Gain: Controls the gain amount advantage of the +/-15dB range on the treble and bass EQ controls, Volume: Controls the effect output P-Boost... - Page 34 E ect List FX Title Type Description Parameter Description Great clean tones are possible, but the versatile "sweet distortion" is what so many guitarists appreciate and love Gain: Controls the gain amount (pre gain) with the Deluxe. Therefore the amp is the number 1 for Volume: Controls the output volume (post gain) Dark DLX Clean...
- Page 35 E ect List FX Title Type Description Parameter Description Gain: Controls the gain amount (pre gain) Tone cut: Counterclockwise controls the e ect tone Volume: Controls the output volume (post gain) Foxy 30TB Drive Based on VOX® AC30HW* (normal channel). Bass/Treble: 2-band EQ that controls the e ect tone Char: Selects from two sound characters: Cool (lower gain)/Hot (higher gain)
- Page 36 E ect List FX Title Type Description Parameter Description Gain: Controls the gain amount (pre gain) The Bogner® XTC red channel is known for its fiery high Bog RedV Hi Gain Presence: Controls the e ect headroom gain distortion and the main timbre. Volume: Controls the output volume (post gain) The Bogner®...
- Page 37 E ect List FX Title Type Description Parameter Description Based on Marshall® JTM45* (normal channel). In 1962, Marshall® introduced the first guitar speakers specifically UK45 Drive designed for rock music, and its powerful sound laid the Gain: Controls the gain amount (pre gain) foundation for rock music.
- Page 38 E ect List FX Title Type Description Parameter Description The JCM900 is the evolution of the JCM800® adding another channel, two reverb options and two gain features. Tube Set consists of 3 x 12AX7 preamp tubes, UK 900 Hi Gain and 4 x 6L6/5881 power tubes.
- Page 39 E ect List FX Title Type Description Parameter Description Based on Orange® AD30™* (Dirty channel). This is an amp head with pure tube sound in the classic Class A circuit (with 4 El84 amp tubes), which guarantees Juice30 OD Drive harmonious sounds with an impressive spectrum.
- Page 40 E ect List FX Title Type Description Parameter Description Based on Diezel® Vh4*. Born in Germany in the Dizz VH 1990s, its timbre and multifunction have Gain: Controls the gain amount (pre gain) attracted countless guitar masters.The unique Presence: Controls the e ect headroom Modern Higain quickly conquered many Hi Gain Volume: Controls the output volume (post gain)
- Page 41 E ect List FX Title Type Description Parameter Description Volume: Controls the e ect gain/output amount Tone: Controls the brightness Based on AER® Colourizer 2* acoustic preamp. Balance: Controls the tone control balance; set to 0 to Originated in Germany, it is a preamp designed disable tone control for acoustic guitar sound reinforcement.
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Page 42: Cab
E ect List FX Title Type Description Parameter Description SUP ZEP 1 x 6” Supro®* 1x6" cabinet with oval speaker TWD CP 1 x 8” Vintage Fender® Champ* 1x8" cabinet TWD PRC 1 x 10” Vintage Fender® Princeton* 1x10" cabinet TWD SUP 2 x 10”... - Page 43 E ect List FX Title Type Description Parameter Description DB Rock 2 x 12” Two-Rock®* 2x12" cabinet Blue SK 2 x 12” A custom 2x12" cabinet with Celestion® Alnico Blue* speakers 4 x 12” Peavey® 6505* 4x12" cabinet 4 x 12” Bogner®* 4x12"...
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Page 44: Mod
E ect List FX Title Type Description Parameter Description Band 1: 125Hz; Band 2: 400Hz ; Band 3: 800Hz; Band 4: 1.6kHz; Band 5: 4kHz Guitar EQ 1 Use the five bands above to control the EQ level. Volume: Controls the output level Equalizer designed for guitars Band 1: 100Hz;... - Page 45 E ect List FX Title Type Description Parameter Description Mix: Controls the wet/dry signal ratio Rate: Controls the chorus speed A multi-dimensional chorus pedal producing rich Filter: Controls the e ect tone M-Chorus Chorus surrounding chorus sound, better playing with stereo Depth L/C/R: Controls the chorus depth of sound systems left/right/center channels...
- Page 46 E ect List FX Title Type Description Parameter Description Phs Depth: Controls the phaser depth Phs Rate: Controls the phaser speed Pan Depth: Controls the tremolo depth (using mono output) or panning depth (using stereo output) Phaser A special, subtle phaser combines tremolo/pan variations Phase Pan Rate: Controls the tremolo speed (using mono output) or panning speed (using stereo output)
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Page 47: Dly
E ect List FX Title Type Description Parameter Description This is an auto swell e ect with two parameters that Attack: Controls how fast the e ect swells Auto Swell Special are easy to understand and use. It can make the the input signal guitar sound like a violin. - Page 48 E ect List FX Title Type Description Parameter Description Mix: Controls the wet/dry signal ratio Feedback: Controls the amount of feedback Ambience 1 Delay Time: Controls the delay time This model is a multi-tap delay that brings Level: Controls the e ect output you expanded sound spaciousness.
- Page 49 E ect List FX Title Type Description Parameter Description Mix: Controls the wet/dry signal ratio Time: Controls the delay time Feedback: Controls the amount of feedback A multi tap delay that simulates a huge M-Echo Delay Tone: Controls the e ect tone 4-head tape echo machine Mode: Selects from 12 di erent head variations Sync: Switches delay Tap Tempo sync on/o...
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Page 50: Rvb
E ect List FX Title Type Description Parameter Description Room Reverb Simulates the spaciousness of a room Mix: Controls the wet/dry signal ratio Pre Delay: Controls the amount of time between the dry signal and Simulates the spaciousness of a Hall Reverb the audible onset of early reflections and the reverb tail... -
Page 51: Drum Rhythm List
Drum Rhythm List Genre Type Time Signature Default Tempo Classic Rock 1 Classic Rock 2 Classic Rock 3 Classic Rock 4 Classic Rock 5 Classic Rock 6 Hard Rock 1 Hard Rock 2 Hard Rock 3 Post Rock 1 Post Rock 2 Post Rock 3 Garage Rock Prog Rock... - Page 52 Drum Rhythm List Genre Type Time Signature Default Tempo Blues 1 Blues 2 Blues 3 Blues 4 Swing Blues Shu le Shu le 3/4 Bluegrass Country Country Folk Pop 1 Pop 2 Pop 3 Hip Hop 1 Hip Hop 2 Hip Hop 3 Hip Hop Rock Jazz 1...
- Page 53 Drum Rhythm List Genre Type Time Signature Default Tempo Samba Tango Beguine Polka Waltz Reggae 1 Reggae 2 World Mazuke Musette March 1 March 2 March 3 120BPM New Age 1 New Age 2 World Metro...
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Page 54: Midi Control Information List
MIDI Control Information List Value Value Description Description Range Range BANK MSB: AMP Module on/o : 01-A~32-D: CC0=1, PC=0-127 0-127 0-63: o 33-A~64-D CC0=0, PC=0-127 64-127: on NR Module on/o : 0-99 Patch Volume 0-127 0-63: o 0-100 EXP 1 64-127: on EXP1 A/B CAB Module on/o :... - Page 55 MIDI Control Information List Value Description Range Looper Tempo 0-127 0-63: Half-speed 64-127: Normal Speed Looper Playback Status 0-127 0-63: Reverse 64-127: Normal 0-127 Delete Loop 0-100 Looper Recording Volume 0-100 Looper Playback Volume Looper Placement 0-127 0-63: Rear 64-127: Front 0-127 CTRL 1 0-127...
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Page 56: Troubleshooting
If you’re using an external expression pedal to control distortion or other similar parameters, check to see if the expression pedal is Ÿ set up properly. Check your e ects parameter setup. If e ects are set to extremes, GP-200LT may have abnormal noise. Ÿ Problems With Expression Pedal Check your expression pedal settings. -
Page 57: Technical Specifications
Technical Specifications Technical Specifications A/D/A Converter: 24-bit high performance audio Ÿ Sampling Frequency: 44.1 kHz Ÿ SNR: 110dB Ÿ Module: 11, can be used simultaneously Ÿ Patch Memory: 256 Patch slots, 100 Factory Patches Ÿ Looper: Maximum 180 seconds of record time Ÿ...
